It takes me less than an hour to get to California, shooting straight down I-40, crossing the Colorado River. The first sign I see, upon entering the Golden State, says “Rest Area – 44 Miles Ahead. Closed.”
That doesn’t bode well, out here in the desert.
I pull off on the second exit to catch Route 66. The first town I hit is Needles, CA, and though I’ve only used a quarter of a tank, I stop to top it off. Gas is up to $3.99 a gallon – a fact that pisses me off even more when I get to the other end of Needles, near the Interstate, and see it for $3.78.
I purchase some soda for what I hope to be a quick jaunt through the desert. At 11AM, I note that the landscape is covered in a pretty haze that, were I not so far out from a major city, I might have mistaken for smog. The Santa Fe Railway trains will be my only constant companions on this leg of the tip, criss-crossing along three separate lines, all hauling freight. I see one carrying endless rows of UPS truck beds. I wonder if this is due to the price of gas, or if it’s how they normally transport UPS freight.
The desert is brown. There are occasional dots of green, plants still clinging to life, a blue-ish grey here and there, but mostly, brown. Rocky. And not a pretty brown – this is not the wind swept, brush stroked desert you see in the movies. This is ugly. This is harsh. This is lonely.
Once in a while, I’ll pass a trailer park, a long forgotten outpost, surrounded by palm trees and lush fronds.
Off to the left is a huge, pitch black mountain. The rocks and landscape surrounding it are of the same black rock, as though something spewed forth from the bowls of Hell a long, long time ago.
I begin to understand why people go crazy in the desert. It’s hot; the temperature will reach 100 today. It’s vast, expansive, dry, lonely, ugly, and isolating. What I had hoped would be a swift jaunt has instead become a two hour trek through the harshest landscape I have ever seen.
And then, near Ludlow, CA, as Route 66 arcs back toward I-40; there, rising out of the distance like a mirage, I see it: A Dairy Queen. I stop, fall to my knees, raising my hands to heaven, and ask for a pineapple shake.
Again I find Route 66, The Mother Road, reduced to barely paved stretches that make my feet tingle from the bouncing. I actually move Lappy to my lap, while driving, so that he can get some much needed power; the road is bouncing him around so much that his power cable can’t stay anchored. The wind blows in to the car windows with staccato precision and reverberates in my ears.
I see little piles of dust collect and rise up in to the air, as though they wish they could become something stronger, like a Voltron made of dirt.
My first and only roadside attraction for the day: I turn off of Route 66 for seven miles to go to the Calico Ghost Town. It’s an old silver mining town that they’ve converted in to a tourist attraction. The sign at the entrance says “Enjoy Music and Gunfights!” I intend to stay until I have seen at least one of these two things.
The town itself still has a few remaining buildings from the 1880’s, when it was started. The rest have been created to look that old. They’ve done a good job of making everything look authentic.
Look authentic. But all the buildings have air conditioning. And then I notice that the people who work here, dressed up in their hoop skirts and cowboy hats, a disturbing number of them are talking on their cell phones. This completely, utterly, and truly ruins the illusion.
Say what you will about Walt Disney, but that man understood illusion. He understood themeing. And to make something look authentic, no one outside of Tomorrowland can have cell phones. To make it look real, to suck the customer in to the fantasy, you can’t have the 1902 cowboy/sheriff walking round talking on a brand new Motorola.
But I am glad to be out of the car and walking amongst Japanese Tourists. I walk up the slope to the top of the town, where, through the miracle of future advances in refrigeration, I enjoy an ice cold beer.
I walk back down the slope and stop at Mystery Shack! The guide tells a story about Miner Bob, who lost his legs, and so he devised a scheme where he would bet his friends for money. Basically, the whole shack is built at an absurd angle, to make optical illusions like water running uphill and it being harder to walk down than up. In one room, our guide, I’ll call him “Dingus,” showed us Miner Bob’s handless ladder, where “he could climb up without using his hands!”
Dingus demonstrates this amazing feat.
“I thought you’d said he’d lost his legs,” I say.
“Oh, well, this is before he lost his legs,” Dingus replies.
“But you said he built the shack after he lost his legs.”
“Just go with it.” He gives a sheepish smile, so I give up on pressing the point that his story has a gaping plot hole the size of the Star Wars Cantina.
Walking back down the center of town, I hear a call up ahead for a shoot out. Yes! This is what I came to see. But rather than just starting the show, our players, the Sheriff and the Bank Robber, give us some safety tips. They’re using real guns, they warn us. They have blanks, but they can still hurt, and to demonstrate this, they shoot an aluminum can at close range, blowing it up. Don’t step inside the roped off area, they tell us.
I guess this makes sense, what with it being guns and all, but again, this is out of character and ruining the themeing. People instinctively – well, people who aren’t stupid – won’t run inside a roped off area where two people are pretend shooting at each other. Get on with the show, you Nanny State Cowboys.
And they do. They have a script. They fight. They shoot at each other. Everyone roots for the sheriff, so, in a moment of silenced attention, I shout out “Go, Bad Guy, Go!”
The desert is making me mean.
After the gun fight at The Cry Baby Corral, I take a tour through the Maggie Mine. It was a real mine once, and now you can walk through it, and see the scenes they’ve set up for you. It’s neat, and cooler than outside, and my camera flash keeps blinding me in the dark.
On my way back out of town, I purchase two bottles of water to get me through the rest of the desert. Back on the road, but not yet on Route 66, I watch an entire caravan of vehicles carrying other vehicles pull out of a Marine Base to my left, while two Jarheads stand on the side and direct traffic. It’s actually pretty cool; the vehicles and their uniforms are camouflaged to match the desert, and it’s such a good illusion that I had no idea what I was looking at, at first.
Does this desert ever end? I seriously begin to wonder. And then I get a spontaneous nose bleed. From the desert. Apparently the desert likes me about as much as I like it.
Eventually, I hit civilization, in the form of San Bernadino. It quickly routes me on to I-15. Where I sit. In traffic. I sit in traffic on I-15 in San Bernadino, CA, for an hour and five minutes, to go a total of four exits, a grand total of five miles.
And then I remember the number one thing I hate about Los Angeles.
I just drive past the Wigwam Motel in Rialto, CA. It’s too early to stop.
This stretch of 66 has been renamed Foothills Boulevard. It will run me basically from Rialto straight through Pasadena. It has 20,000 stop lights, and I hit practically every single one of them.
At 8:30, I am ready to stop driving. But I am so close to the end of Route 66 I can taste it! I push on.
In Pasadena, I am directed to get on the freeway to Santa Monica Boulevard. This is not as easy as it sounds. Los Angeles has the worst freeway system known to man. The entire thing is a joke dreamed up by a demented Frenchman, I am certain. It starts out as two lanes and then becomes six and then becomes three and then becomes one and Where Am I?
I miss Santa Monica, of course. I take Le Brea, instead, backtrack to Santa Monica, and turn the wrong way. In this way, I lose half an hour driving toward Sunset instead of Beverly Hills. I turn around. Again.
I follow Santa Monica Boulevard through West Hollywood. Through Beverly Hills. In to Santa Monica. And then, on Lincoln street, I turn left.
I get butterflies in my tummy.
Route 66 ends here, at the corner of Lincoln and Olympic. There is no marker. There is, however, an orthodontist office, in a building that has the unmistakable shape of having been a diner in a past life. I know this is the end of Route 66 only because my directions tell me so.
I had chosen Route 66 in search of kitchy Americana, the by-gone yesteryear feel of the open road and roadside attractions and Grandma’s Home Cookin’ Diner. I wanted what the songs and the pictures, the television and the books, had told me what was to be found there. Instead, what I found was a depressing amount of rural decay. It’s one thing not to repaint the Gemini Giant every year, but it’s quite another to allow entire towns to dry up when progress marches past them on a different road. And, well traveled anymore or not, it’s an utter travesty to have Iconic Route 66 lie in such horrible states of disrepair. It seems a terrific irony to me that in downtown Pittsburgh there’s a historical marker on a parking garage, noting that there used to be a school house here, but that no one seems to be able to keep Route 66 properly marked or paved.
In the end, instead of getting my kicks, I got a hard dose of devastation, everywhere around me seeing the crumbling ghosts of a happier time, when towns and people flourished, only to be forgotten by the biggest public works undertaking in the history of this nation. And now, those that remain don’t even have the energy to knock those last few buildings down.
(pics updated; starting on page 19)